The Logbook
Posts tagged with ignacio-gador
-
Light Notes #22: Camila Mendes, Charriol Philippines 2016
2021-08-14 07:07:00 UTCThrowback to March 23, 2016, the day I decided to buy myself a Rime Lite Fame 6 set, which was a package of 2 lights, 2 stands, an octabox, and a strip box. Everything looked and smelled new, until I plugged in one of the lights and my old home…
-
Light Notes #17: Ballet Philippines, CCP, Esquire Magazine, 2017
2021-05-17 11:24:00 UTCTo be honest, I can’t count the number of times I’ve gone back to this shoot—revisiting the unmarked, looking for new gems, re-editing. The reality of the situation was that if it weren’t for Esquire Philippines and their reputation, shooting Paul Morales and three of his ballerinas around the Cultural…
-
Light Notes #10: Rustan’s Iconic, Spring/Summer 2019
2021-03-08 10:00:00 UTCFor Rustan’s Iconic, Spring/Summer 2019. We had covered a lot of ground this day, with the requirements of creating majority of the content for a full look book. This was our last layout, after finishing three other completely different setups. Ricardo Preto had this idea of hanging these cellophane party…
-
Light Notes #9: Test Shoot with Bronija, Meg, Nicole
2021-02-24 10:00:00 UTC2016—first ever test shoot with Bronija Ales, who I had met almost in passing during a basic linesheet shoot. My growing love for cinematic fashion all began through a series of test shoots with the wife Meg Manzano, who introduced me to Nicole Ceballos, who became my core makeup artist.…
-
Light Notes #4: Sojourn Collection, 2019
2021-02-12 10:00:00 UTCOriginally planned to be shot at the roof deck of a building, bad weather forced us to completely revamp and create a new concept for the campaign. Luckily for us, the house of one of the clients was offered as a the new shoot location, which was way better than…
-
Light Notes #3: Basti Artadi for Esquire Philippines, September 2016
2021-02-11 10:00:00 UTCCover for Esquire Philippines, September 2016, featuring the one and only Basti Artadi. There was just so much Great Gatsby energy all throughout the shoot—location, styling, Basti himself. It was just natural that the lighting and editing would run with that theme.
The location was a lighting fixture store, and…